The great restaurant

The great restaurant

The great restaurant

By Nicolas Chatenier

 

                    The cuisine revolution took the world by surprise when it began fifteen years ago. A passion for celebrity chefs, the precise selection of ingredients, the emergence of a foodie culture, the rediscovered value of terroir, and the upsurge of organic cultivation, to name just a few of its aspects. Eating has progressively become a cultural act, both for reasons linked with the latent narcissism of a generation immersed in social media, and other reasons with their roots in a political and dissenting attitude that is about eating better, more naturally and more healthily, and adopting a more ethical approach to agriculture.

This quest for a more meaningful interpretation of food is every bit as remarkable as the emerging passion for cooking. Every restaurant format has played its part on this new world stage as it has developed.
We have therefore seen the combined, parallel and simultaneous emergence of all types of restaurant service. Along with all the major trends and – often – confusions that can sometimes make us smile, like Asian street vendors being awarded Michelin stars. That said, each type of restaurant, from the most established to the most short-lived pop-up has managed to hold its own.
For proof of that, we need look no further than the success of food trucks in the USA, which have given many chefs the opportunity to get started, or the multiplicity of London pop-ups that have allowed dozens of professionals to get a foot on the career ladder. Within this vibrant, spirited and sometimes deafening concert, one leading player remains, despite being heckled by the changes now underway. I am talking here about the top-class fine dining restaurant.

This important player really emerged before the Second World War, thanks to the technical contribution made by Chef Escoffier, the appearance of Michelin stars in 1931 and the acclaim for La Mère Brazier, whose owner/chef Eugénie Brazier was the first to run two 3-star restaurants. This format was to assume crucial importance in the immediate post-war years. Wartime shortages and rationing gave way to 30 years of strong economic growth (Les Trente Glorieuses) and a period of abundance. Dumaine in Saulieu, Point in Vienne and Pic in Valence formed a triumvirate that headed the fine dining restaurant scene outside the capital. They complemented Parisian star establishments, such as Raymond Oliver’s Grand Véfour, Louis Vaudable’s Maxim’s and Lucas-Carton. Not to overlook the magic created by René Lasserre and André Terrail at La Tour d’Argent.

As a welcome coincidence, it was during these years – 1954 to be precise – that the association known as Traditions et Qualité was formed. It was this association that decades later would become today’s Les Grandes Tables du Monde.

The great restaurants of that time embraced the same principles we still recognise today. It was simply less culinary and more celebratory. It was a place designed for fun and to be seen in while enjoying simple dishes. Salads and modest dressings still appeared on these menus.

Beginning in the 1960s, a new generation of chefs would change the status quo and reinvent this restaurant model. Their names were Bocuse, Guérard, Troisgros and Senderens, and they effectively reinvented this profession.
Firstly, they became owners of their own restaurants, which allowed them to make their own decisions and promote themselves. They were also professionals in communication. Next, they redesigned cuisine itself, freeing it from the diktats set by Escoffier half a century earlier. They introduced a new lightness to reveal and enhance the freshness of their ingredients.

As well as being a display of social standing, the restaurant now offered an additional dimension: a strong culinary experience created out of discovery and innovation. Personal styles were asserted. It became fashionable to take advantage of the rise of private motoring to ‘make a trip’ using the Michelin guide, and visit these restaurants, each with their own distinct personality in which exceptional chefs with a gift and enthusiasm for communication expressed their multiple talents.

One important clarification: all of this happened in France from the 1960s onwards. Nowhere else. It is incontrovertible that we gave birth to the fine dining restaurant; a trend that the French would effectively export to Belgium, Switzerland and Italy with Gualtiero Marchesi, and then on into Spain with chefs such as Pedro Sujana d’Akelare and Martin Berasategui.

 

It was at this time that the characteristic features of the fine dining restaurant would emerge: its decorative style, personal welcome, exceptional cuisine crafted from the freshest and most beautiful produce, the best wines and elegant, considerate front-of-house service. The end result was structured around cuisine, service and wines to ensure that diners enjoyed every dimension of the fine dining experience.

The formula seemed simple, but there can be no doubt that its consistent and regular execution was, and remains, extremely difficult. But the French achieved it. And they had a substantial head start.

While restaurants of every size and type made amazing progress during the cuisine years, we might justifiably ask ourselves what the place of the great fine dining restaurant is today. Expensive, lengthy and full of codes and manners, is it really a dinosaur destined for extinction over the longer or shorter term ? Or does it still have a brilliant future ahead of it, given the media exposure enjoyed by today’s chefs ?

At Les Grandes Tables du Monde, we believe that this format – atypical and elitist as it intrinsically is by nature – is an essential component of global cuisine. We would go so far as to say that behind the decorum that some love to criticise lies an essential component of any culinary culture. Our belief is that without the great restaurants of the world, we would have neither a vibrant cuisine nor a living culinary culture.

They act simultaneously as experimental living laboratories and conservators of traditional practices and skills. Innovation and tradition. The formula is understood, but applies particularly to the world of fine dining. Culinary innovation is driven by the kitchens of the world’s great restaurants. It is here that new approaches are conceived and created, and it is where new ingredients are tested. Chefs have always understood the need to coach producers to improve ingredients. For example, the great French chef Jean-Louis Palladin – now sadly departed – introduced the principles of better fishing and farming to the East Coast of the United States. He applied his evangelistic determination to improve local production. And we find the same in all those countries that have allowed chefs to assume a role of prime importance. Spanish agriculture owes much to the generation of culinary pioneers in the region around San Sebastian. Their success energised and publicised some of Spain’s best local artisan produce. The twin roles of talent spotter and sounding board are essential in the world of fine dining. They directly influence the vitality of cuisine. There is no shortage of examples that demonstrate how in 1980s Italy or, more recently, in Peru during the last decade, it has been the chefs who promote iconic recipes and energise the production of ingredients.

So from the point of view of tradition, fine dining has not lost its important role. But it is also the sum of expertise accumulated from generation to generation. Nevertheless, this body of expertise must be revisited and carefully selected, but its core has no need to evolve, since it remains current and relevant. Having made our selection, we must measure the essential value of this body of techniques, attitudes and practices that makes fine dining a relevant and ongoing expertise and personal skill. This is the reason why we can talk in terms of a French way of exercising the professions of hospitality and cuisine. This French body of knowledge has spread throughout the world thanks to the virtues of training and the personal transfer of skills. It defines what unites Les Grandes Tables du Monde today.

Ultimately, fine dining acquires its cachet and relevance through one last strength which we see as essential. It is the final element that allows us to confirm the crucial role played by the great restaurants of the world today. Since the digital revolution began 15 years ago, we have been living in a progressively more digital world. The GAFA have been joined by the NATU, such that many of our everyday needs are now met by online digital platforms. Finding accommodation, travel and eating are all greatly facilitated by the digital revolution, which has applied technology perfectly in ways that make everyday life smoother and easier. But to the detriment of one essential element: the human touch. The power of the digital world has meant that the human touch has disappeared from many processes. In a few cases, people are just the final link in the service delivery chain. The person who hands you the package you ordered from Amazon, your Uber driver or the receptionist in the hotel you booked through booking.com. Without wishing to denigrate the convenience delivered by these new stakeholders, it is nevertheless valid to regret the very real reduction in the need for personal service that comes with them.

This is where the great restaurants of the world retain the lead, because no part of the service they deliver can be subject to this process. People, their appearance, their hands, their actions and their skills are indispensable and essential to ‘producing’ the fine dining experience. To us, it is obvious that this human element of fine dining explains its ongoing popularity and appeal. At Les Grandes Tables du Monde, we are proud of that, and we insist upon it.

Since its inception at the beginning of the 20th century, and its acclaim in the 1960s and 70s, the fine dining restaurant deserves, now more than ever, to be central to our conversations, since it determines our relationship with food and cuisine. It is the centrepiece of the table. A sharing table, of course.

Tribute to Joël Robuchon

Tribute to Joël Robuchon

Tribute to Joël Robuchon

                   Precision, rigor, and technique. These are the main ingredients of Joël Robuchon cuisine. He, one of the greatest chef, who has died August 6th aged 73.

His input is huge on French cooking. Over the years, he has managed to improve and refine classical French cuisine. Coming right after the Nouvelle Cuisine years, Joël Robuchon offered his own take on French Haute Cuisine, with what you could call a neo-classical inspiration. He would select carefully each ingredients, he would push the boundaries of technique with a surgical-like precision on cooking and plating. He was inspired both by French classical cuisine with, for instance, a great recipe of Hare à la Royale, and more rustic approach with recipes mixing together cauliflower and caviar, pork belly or a refined deep fried whiting Colbert.

Joël had won most of the culinary prizes of his era, he was awarded the prestigious Meilleur Ouvrier de France title, and he received the three stars from Guide Michelin in 1984 at Jamin, located on rue de Longchamp in Paris. He then moved his restaurant to 59 avenue Raymond Poincarré before retiring in 1996.

His retirement didn’t last long and soon he was busy creating his fabulous concept L’Atelier Robuchon which he opened all around the world with great success. There, he was able to offer his very own vision of French cuisine, which managed to be at the same time refined and exciting, with a clever blend of inspiration from both Japan and Spain.

Our Chairman David Sinapian, and our Board Members would like to express their most sincere condolences to Janine his wife, to his family, and to his staff all around the world.

A new website

A new website

A new website

                    We are delighted to introduce you to our new website. We have entirely redesigned the browsing experience to introduce you seamlessly and effortlessly to the restaurants of our members and do justice visually to the excellence of each.

We invite you to explore this global collection of fine dining gems.

Having achieved this priority, we would like to draw your attention to other aspects of our work, which we believe to be equally essential.

Firstly, we would like to explain that the Les Grandes Tables du Monde association exists for the benefit of three distinct audiences united by a series of complementary goals.

The first is the audience of global diners hungry and impatient for the experiences to be found in our world and our exceptionally and fundamentally exclusive collection. To create a great restaurant, you need a very large number of ingredients. So our membership does not increase very quickly! Nevertheless, we now offer you 174 of the finest dining destinations, and will add more with the 2019 vintage of accreditations. Our desire here is to keep you informed and, above all, to encourage you to discover and experience these personal and richly diverse worlds.

Secondly, we also exist for our members, who join us often after a long and successful professional career. For them, membership of this closed club of the world’s best restaurants is always a source of pride and pleasure. For our members, we also wish to emphasise and highlight the vitality of their association, its modernisation and the constant stream of changes made over several years. We are in no doubt that our long history and our highly exclusive admission criteria have succeeded in building a community like no other.

We would also like to take this opportunity of reminding our members of our redefined values:

  • the excellence that unites all our member establishments and makes Les Grandes Tables du Monde a seamless and strong community
  • the conviviality decreed by our founders, which remains central to everything we do, and which enables our members to meet and interact, both of which we see as essential
  • a global perspective: over the last fifteen years, fine cuisine has become a global business. Our members are located in 25 countries, and this openness to the world, its diversity of practices and its distinct cultures is crucial. It is what enriches and enhances our profession
  • a distinctively French inspiration: the lifestyle that flows through Les Grandes Tables du Monde was defined in France from the 1950s onwards. That sensibility and expertise is still shared by all our members.

Our vocation is clear: to promote gastronomy as a distinct and special approach to restaurant service. The fact of the matter is that our members do not offer simply environments in which to eat, but distinctively strong and rare experiences. Our mission is to support, represent and explain these special ingredients.

Lastly, we serve our partners. They are essential to us, because they open up new horizons to us. Converging their specialist expertise and exploring their offerings and products helps us keep up-to-date with the latest developments. Our selection of partners is intentionally restricted, because our quest is to work only the most appropriate and those most consistent with what we do. These interactions are both rich and encouraging. And that is why part of this website is exclusively devoted to our partners.

Our new website will also introduce you to a section on our rich history and archives.

We have also introduced a magazine section in which we will regularly publish new items to keep you up-to-date, and contribute to the ongoing discussion of how our professions are evolving.

We also introduce you to the members of our Board of Directors, who work alongside our members to maintain the vibrancy of this association. Lastly, we introduce you to the team of dedicated employees who make this vision a reality on a daily basis. We would like to take this opportunity of thanking them publicly.

Enjoy your visit!

The price 2017

The price 2017

The price 2017

The panel of judges assembled by Serge Schaal, all renowned names from the world of gastronomy, chose to celebrate the exceptional career of Louis Villeneuve of the Hôtel de ville de Crissier. This maître d’hôtel was awarded the Mauviel 1830 Prize for World’s Best Dining Room Manager.
This was the first year for the Valrhona Prize for the World’s Best Restaurant Pastry Chef, which was unanimously awarded by the judges set up by Jean-François Piège, including the pastry chef Pierre Hermé, to Cédric Grolet (Le Meurice, Paris).
In addition, the Board of Members of Les Grandes Tables du Monde named Chef Jean-Pierre Vigato as the winner of the French Restaurateur of the Year Prize for Apicius, his leading Paris restaurant, and Will Guidara, at the helm of the iconic Eleven Madison Park in New York, as Best Foreign Restaurateur Award. In an exceptional move this year, the Board of Directors also decided to award an Honorary Prize to Maguy Le Coze for the entirety of her astounding career.

PRIX D’HONNEUR

MAGUY LE COZE LE BERNARDIN,
ÉTATS-UNIS

                    Maguy Le Coze has had a breathtaking career. In an industry dominated, until recently, by chefs and men, Ms. Le Coze has blazed her own courageous trail as a woman. Born in Brittany, Maguy debuted in the business at the Le Bernardin location (already!) on Quai de la Tournelle, just a stone’s throw from La Tour d’Argent. Her brother, Gilbert, ran the kitchens, treating guests to simple, but precisely prepared, seafood specialties. Their success led them to set up shop in the 17th arrondissement on Rue Troyon, where they earned two Michelin stars. Momentum grew and adventure called, so they seized an opportunity to open in New York. For a time, Le Bernardin existed on both sides of the Atlantic. The success on American soil was overwhelming as they introduced their clientele to a new kind of seafood cuisine. Gilbert was radical and Maguy developed ingenuous ways to convince customers to try raw tuna or oysters. Upon Gilbert’s sudden death, Maguy reinvented this legendary duo with Eric Ripert, a chef who trained under revered names like Joël Robuchon. The new pairing was effective indeed, and the two still run the thriving Le Bernardin, where awards and loyal customers are simply too numerous to count. Given this truly extraordinary professional path, the Board of Directors unanimously decided to award Ms. Le Coze an

honorary prize for her entire career.

PRIX DU RESTAURATEUR FRANÇAIS DE L’ANNÉE

JEAN-PIERRE VIGATO
APICIUS, FRANCE

                   Jean-Pierre Vigato has made his Apicius (France) restaurant one of Paris’ most-respected establishments. Through two successive locations since 1984, Jean-Pierre has developed a strong, singular world of lively hospitality and superb cuisine. Dividing his time between the dining room and the kitchens, this lover of offal and game treats his faithful followers to meaty meals; they, in turn, ensure that space at his tables is in great demand come hunting season and would sell their souls for his famed whole tête de veau (calf’s head). For the Board of Directors of Les Grandes Tables du Monde, he has long been the perfect embodiment of the French chef, in the noblest sense of the term. He was therefore the incontrovertible choice to receive this prize for French Restaurateur of the Year for.

PRIX DU RESTAURATEUR ÉTRANGER DE L’ANNÉE

WILL GUIDARA ELEVEN MADISON PARK,
ÉTATS-UNIS

                  At age 38, Will Guidara, along with his associate Daniel Humm, runs one of New York’s most emblematic gourmet establishments: Eleven Madison Park (USA). The restaurant has been crowned with the highest honors, having developed a matchless reputation for the art of service and hospitality. Gradually, over the years, Will developed a new, comprehension vision of service based on customer feedback. And, to better surprise and delight these guests, he has also added a new, more spectacular dimension to food preparation and services in the dining room. For the Board of Directors, awarding Will Guidara the prize for Best Foreign Restaurateur means

honoring one of the best role models in the profession.

CÉDRIC GROLET
LE MEURICE, FRANCE

                   Cédric Grolet was unanimously voted the winner by a prestigious panel of judges, enlisted by chef Jean-François Piège, for his essential contributions to restaurant pastry craft. The young pastry chef honed his skills by designing and making desserts at the Alain Ducasse restaurant at Le Meurice (Paris), as well as the pastries served for tea time at Paris’ Le Dali. His reputation swiftly grew and he earned undeniable renown, particularly on the social networks, where each shared photo of his most recent achievements mesmerized his community of followers. But beyond his trending fame, the judges wished to hail the stylistic and technical audacity of this pastry virtuoso. By stepping away, to some degree, from the great classics, Mr. Grolet has emphasized new shapes, such as his emblematic sculptured fruit, now one of his signatures. The visually striking culinary creations of Cédric Grolet are as much masterpieces of technique as of taste. Today, Mr. Grolet is a pioneer of dynamic and audacious French pastry craft and is the first to receive this new prize, created through a partnership with Valrhona.

LOUIS VILLENEUVE
HÔTEL DE VILLE DE CRISSIER, SUISSE

                   By recognizing Louis Villeneuve, the judges for the Mauviel 1830 Prize celebrated the exceptional career of a maître d’hôtel who, for nearly 40 years, has dedicated his professional life to a single establishment: Le Restaurant de l’Hôtel de Ville de Crissier in Switzerland. This loyalty to one institution dovetails with an entire generation of leading chefs: first Frédy Girardet, venerable chef and the restaurant’s founder, then Philippe Rochat, the house’s brilliant and steadfast buyer, then Benoit Viollier who took up the reins from his predecessor with such grace, only to leave us cruelly and far too soon. Today, Franck Giovannini is at the helm, and Louis was there to oversee the transfer of power with the current dining room staff. Louis serves as the memory of the establishment, but is, above all, an outstanding maître d’hôtel, as at ease with one-on-one communication with customers as he is with the poultry-cutting that fills their plates. He is a comprehensive artist, one at the acme of his art in an iconic restaurant: No more need be said to justify the presentation of this award, now in its second year, in association with Mauviel 1830, which honors the many dining-service trades and for which Louis Villeneuve follows last year’s recipient, François Pipala of the Paul Bocuse restaurant.